{"id":1226,"date":"2020-12-03T12:25:31","date_gmt":"2020-12-03T12:25:31","guid":{"rendered":"http:\/\/arthistory.tsu.ge\/murals\/?post_type=painting&#038;p=1226"},"modified":"2022-01-08T15:36:06","modified_gmt":"2022-01-08T15:36:06","slug":"benisi-murals-of-church-of-st-george","status":"publish","type":"painting","link":"https:\/\/arthistory.tsu.ge\/murals\/painting\/benisi-murals-of-church-of-st-george\/","title":{"rendered":"Benisi, Murals of the Church of St. George"},"content":{"rendered":"<div class=\"gca-column two-thirds first\"><table>\n<tbody>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Building:<\/strong><\/td>\n<td style=\"text-align: left;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=1221\">Benisi, Church of St. George<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Layer of the Murals:<\/strong><\/td>\n<td style=\"text-align: left;\"><a href=\"https:\/\/arthistory.tsu.ge\/murals\/layer\/one-layer\/\">One Layer<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Date\/Period:<\/strong><\/td>\n<td style=\"text-align: left;\">Second half of the 10th century<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Donor(s):<\/strong><\/td>\n<td style=\"text-align: left;\">Unknown<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Painter(s):<\/strong><\/td>\n<td style=\"text-align: left;\">Unknown<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; min-width: 145px; padding-top: 33px;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=1221\"><img class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/arthistory.tsu.ge\/murals\/wp-content\/uploads\/buttons\/architect-eng.png\" alt=\"Building\" \/><\/a><\/td>\n<td style=\"text-align: left; padding-top: 33px;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=2843\"><img class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/arthistory.tsu.ge\/murals\/wp-content\/uploads\/buttons\/gallery-eng.png\" alt=\"Gallery\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<div class=\"gca-column one-third\">[toc]<\/div>\n<div class=\"gca-utility clearfix\"><\/div>\n<hr \/>\n<h4>Inscription(s)<\/h4>\n<h6>of the Donor(s)<\/h6>\n<h6>of the Painter(s)<\/h6>\n\n<hr \/>\n<h4>Description<\/h4>\n<h6>Chancel<\/h6>\n<p style=\"text-align: justify;\">The travertine stones used in the framing of the chancel window are alternately painted red, ignoring the edges, which makes an impression of a \u2018fan-like\u2019 ornament. Similar red color is fragmentarily identified on the surfaces of the stones fallen inside the chancel in a later period and which had not been covered with binding solution.<\/p>\n<p>&nbsp;<\/p>\n<h6>Aisle<\/h6>\n<p style=\"text-align: justify;\">As a consequence of the later period plaster coming off, in the lower section of <strong>the south wall<\/strong> surfaces of the stones that are not covered with binding solution exhibit fragments of red paint; given this fact, it is presumable that the whole interior of the church was decorated by this artistic means.<\/p>\n<p style=\"text-align: justify;\">Trace of later-period alteration can be observed on the pair of windows arranged in the south wall; however, taking the decorative ornamentation of the window aperture of the chancel, it can be assumed that these two windows, too, had been embellished by alternation of red \u2018fan-like\u2019 lines.<\/p>\n<p style=\"text-align: justify;\">The travertine stones used in the framing of the arch of the door arranged in <strong>the west wall<\/strong> (during the later-period reconstruction it was blocked up and turned into a niche) were also alternately painted red which creates a \u2018fan-like\u2019 image.<\/p>\n\n<hr \/>\n<h4>Bibliography<\/h4>\n<ul>\n<li>=====<\/li>\n<li>=====<\/li>\n<li>=====<\/li>\n<\/ul>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":3400,"menu_order":0,"template":"","meta":[],"layer":[298],"period":[446],"acf":[],"_links":{"self":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/painting\/1226"}],"collection":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/painting"}],"about":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/types\/painting"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/users\/2"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/media\/3400"}],"wp:attachment":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/media?parent=1226"}],"wp:term":[{"taxonomy":"layer","embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/layer?post=1226"},{"taxonomy":"period","embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/period?post=1226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}