{"id":1236,"date":"2020-12-11T10:39:44","date_gmt":"2020-12-11T10:39:44","guid":{"rendered":"http:\/\/arthistory.tsu.ge\/murals\/?post_type=painting&#038;p=1236"},"modified":"2022-01-08T15:41:45","modified_gmt":"2022-01-08T15:41:45","slug":"gareji-monastery-of-bertubani-murals","status":"publish","type":"painting","link":"https:\/\/arthistory.tsu.ge\/murals\/painting\/gareji-monastery-of-bertubani-murals\/","title":{"rendered":"Gareja, Bertubani Monastery, Murals of the Martyrium"},"content":{"rendered":"<div class=\"gca-column two-thirds first\"><table>\n<tbody>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Building:<\/strong><\/td>\n<td style=\"text-align: left;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=1233\">Gareja, Bertubani Monastery, Martyrium<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Layer of the Murals:<\/strong><\/td>\n<td style=\"text-align: left;\"><a href=\"https:\/\/arthistory.tsu.ge\/murals\/layer\/one-layer\/\">One Layer<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Date\/Period:<\/strong><\/td>\n<td style=\"text-align: left;\">10th c.<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Donor(s):<\/strong><\/td>\n<td style=\"text-align: left;\">Unknown<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Painter(s):<\/strong><\/td>\n<td style=\"text-align: left;\">Unknown<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; min-width: 145px; padding-top: 33px;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=1233\"><img class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/arthistory.tsu.ge\/murals\/wp-content\/uploads\/buttons\/architect-eng.png\" alt=\"Building\" \/><\/a><\/td>\n<td style=\"text-align: left; padding-top: 33px;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=2860\"><img class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/arthistory.tsu.ge\/murals\/wp-content\/uploads\/buttons\/gallery-eng.png\" alt=\"Gallery\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<div class=\"gca-column one-third\">[toc]<\/div>\n<div class=\"gca-utility clearfix\"><\/div>\n<hr \/>\n<h4>Inscription(s)<\/h4>\n<h6>of the Donor(s)<\/h6>\n<h6>of the Painter(s)<\/h6>\n\n<hr \/>\n<h4>Description<\/h4>\n<p style=\"text-align: justify;\">East and west walls, and partly the ceiling, are plastered in the interior of the martyrium; the front wall of the coffin is also covered with plaster.<\/p>\n<p style=\"text-align: justify;\">Painting is represented on the east and north walls of the martyrium.<\/p>\n<p>&nbsp;<\/p>\n<h6>The Nich-Chancel<\/h6>\n<p style=\"text-align: justify;\">There is an image of the Virgin Hodegetria with the Child in the left hand depicted in the niche of <strong>the east wall<\/strong>. The inner face of the niche is decorated with a floral ornament (these images belong to the second layer of the painting). Nothing is known about the original painting of the chancel. On the east wall a flourishing cross of oblong proportions mounted on a stepped pedestal is painted in reddish-brownish on each side of the niche-chancel.<\/p>\n<p style=\"text-align: justify;\">The upper half of <strong>the north wall<\/strong>, above the coffin, is framed with a red line on three sides. A blue semi-circular segment is depicted on the vertical lines of the frame. Four arms with red crosses extend from each segment.<\/p>\n<p style=\"text-align: justify;\">A cross mounted on a pedestal is depicted with the same color in the western section of the north wall, while the eastern section has preserved the lower part of a figure dressed in church vestment.<\/p>\n<p style=\"text-align: justify;\">A reddish-brown band ran around the front wall of the coffin too.<\/p>\n\n<hr \/>\n<h4>Bibliography<\/h4>\n<p style=\"text-align: justify;\">Guram Abramishvili, \u201cThe painting of Bertubani Martirium\u201d, in Maria Stella Calo\u2019Mariani ed.,\u00a0<em>L\u2019arte georgiana dal IX al XIV secolo, Atti del Terzo simposio internazionale sull\u2019arte georgiana, Bari, Lecce, 14\u201318 ottobre 1980<\/em>\u00a0<em>[Collana di saggi e testi. Sezione sesta, Storia dell\u2019arte: III]<\/em> I (Galatina, 1986), 199\u2013203, pl. CXIX\u2013CXXX.<\/p>\n<p style=\"text-align: justify;\">Guram Abramishvili, \u201cBert\u2019ubnis samartvilis mokhatuloba\u201d [\u201cMurals of the Bertubani Martyrium\u201d], <em>Spek\u2019tri<\/em> 1 (1998): 52\u20137.<\/p>\n<p style=\"text-align: justify;\">Zaza Skhirtladze, \u201cMartyrs and Martyria in the Gareja Desert\u201d, in Michel Kaplan ed., <em>Monasteres, images, pouvoirs et societe a Byzance [Byzantina Sorbonensia: 23]<\/em> (Paris, 2006), 65\u20137, fig. 3\u20136.<\/p>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":3407,"menu_order":0,"template":"","meta":[],"layer":[298],"period":[446],"acf":[],"_links":{"self":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/painting\/1236"}],"collection":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/painting"}],"about":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/types\/painting"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/users\/2"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/media\/3407"}],"wp:attachment":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/media?parent=1236"}],"wp:term":[{"taxonomy":"layer","embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/layer?post=1236"},{"taxonomy":"period","embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/period?post=1236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}