{"id":1355,"date":"2020-12-04T09:04:34","date_gmt":"2020-12-04T09:04:34","guid":{"rendered":"http:\/\/arthistory.tsu.ge\/murals\/?post_type=painting&#038;p=1355"},"modified":"2022-01-10T15:14:18","modified_gmt":"2022-01-10T15:14:18","slug":"telovani-murals-of-%d1%81hurch-of-the-holy-cross-second-layer","status":"publish","type":"painting","link":"https:\/\/arthistory.tsu.ge\/murals\/painting\/telovani-murals-of-%d1%81hurch-of-the-holy-cross-second-layer\/","title":{"rendered":"Telovani, Murals of the Church of Holy Cross. Second Layer"},"content":{"rendered":"<div class=\"gca-column two-thirds first\"><table>\n<tbody>\n<tr>\n<td><\/td>\n<td><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Building:<\/strong><\/td>\n<td style=\"text-align: left;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=1344\">Telovani, Church of Holy Cross<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Layer of the Murals:<\/strong><\/td>\n<td style=\"text-align: left;\"><a href=\"https:\/\/arthistory.tsu.ge\/murals\/layer\/second-layer\/\">Second Layer<\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Date\/Period:<\/strong><\/td>\n<td style=\"text-align: left;\">10th c.<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Donor(s):<\/strong><\/td>\n<td style=\"text-align: left;\">Unknown<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left;\"><strong>Painter(s):<\/strong><\/td>\n<td style=\"text-align: left;\">Unknown<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: left; min-width: 145px; padding-top: 33px;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=1344\"><img class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/arthistory.tsu.ge\/murals\/wp-content\/uploads\/buttons\/architect-eng.png\" alt=\"Building\" \/><\/a><\/td>\n<td style=\"text-align: left; padding-top: 33px;\"><a href=\"http:\/\/arthistory.tsu.ge\/murals\/\/?p=2941\"><img class=\"alignnone wp-image-119 size-full\" src=\"http:\/\/arthistory.tsu.ge\/murals\/wp-content\/uploads\/buttons\/gallery-eng.png\" alt=\"Gallery\" \/><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n<div class=\"gca-column one-third\">[toc]<\/div>\n<div class=\"gca-utility clearfix\"><\/div>\n<hr \/>\n<h4>Inscription(s)<\/h4>\n<h6>of the Donor(s)<\/h6>\n<h6>of the Painter(s)<\/h6>\n\n<hr \/>\n<h4 style=\"text-align: justify;\">Description<\/h4>\n<p style=\"text-align: justify;\">The second layer of the painting embellished certain parts of the interior. Its fragments have survived on the sub-dome pilasters, the east wall of the north arm and the south wall of the west arm.<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: justify;\">Chancel<\/h6>\n<p style=\"text-align: justify;\">South and north pilasters of the chancel bema, as well as the south-east corner pilaster of the west arm had frontal figures of holy warriors. Only their fragments have survived. St. George killing Diocletian was depicted on the north-east corner pilaster of the west arm: due to dislocation of the plaster only a fragment has survived: the lower part of the saint\u2019s frontal figure and a small figure of Diocletian depicted at the warrior\u2019s feet can be observed.<\/p>\n<p>&nbsp;<\/p>\n<h6 style=\"text-align: justify;\">Aisle<\/h6>\n<p style=\"text-align: justify;\"><strong>The north apse <\/strong>on the eastern wall probably had a big-size figure (preserved fragmentarily); it was bordered by a thick, two-sided ornament.<\/p>\n<p style=\"text-align: justify;\">Fragments of a stylized floral ornament can be identified on the northern corner of the east wall of the bema of the same apse, while a line of circles with eight-petal rosettes and simple cruciform twisted pattern inscribed in them embellished the outer, southern face of the bema.<\/p>\n<p style=\"text-align: justify;\">An image of a donor, a bearded man, probably a clergyman, can fragmentarily be observed on the left area of a large composition bordered on four sides on the south wall of <strong>the west arm<\/strong>.<\/p>\n\n<hr \/>\n<h4 style=\"text-align: justify;\">Bibliography<\/h4>\n<p style=\"text-align: justify;\">Tat\u2019jana Shevjakova, \u201cData rospisi pervogo sloja khrama Telovani\u201d [\u201cDate of the First Layer of Paintings in the Telovani Church\u201d], <em>Sak\u2019art\u2019velos metsnierebat\u2019a akademiis moambe [Bulletin of the Georgian Academy of Sciences]<\/em> XXXI, \u21161 (1964): 235\u201342.<\/p>\n<p style=\"text-align: justify;\">Tat\u2019jana Shevjakova, <em>Monumental\u2019naja zhivopis\u2019 rannego srednevekov\u2019ja Gruzii [Monumental Painting of the Early Medieval Georgia]<\/em> (Tbilisi, 1983), 6\u20137.<\/p>\n<p style=\"text-align: justify;\">Zaza Skhirtladze, <em>Adreuli shua saukuneebis kart\u2019uli kedlis mkhatvroba. T\u2019elovanis jvarpatiosani [Early Medieval Georgian Monumental Painting. Telovani Church of the Holy Cross]<\/em> (Tbilisi, 2008).<\/p>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":3456,"menu_order":0,"template":"","meta":[],"layer":[302],"period":[446],"acf":[],"_links":{"self":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/painting\/1355"}],"collection":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/painting"}],"about":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/types\/painting"}],"author":[{"embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/users\/2"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/media\/3456"}],"wp:attachment":[{"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/media?parent=1355"}],"wp:term":[{"taxonomy":"layer","embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/layer?post=1355"},{"taxonomy":"period","embeddable":true,"href":"https:\/\/arthistory.tsu.ge\/murals\/wp-json\/wp\/v2\/period?post=1355"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}